Showing posts with label Zaha Hadid. Show all posts
Showing posts with label Zaha Hadid. Show all posts

Saturday, August 15, 2009

ZAHA HADID'S MILLENIUM PARK PAVILION. In Honor of Daniel Burnham. 03

Today was that perfect sultry summer afternoon to sit on the Lakefront. And watch the Thunderbirds wake up the sky. Summer has finally arrived (with the Chicago Air and Water Show).

An afternoon like this gives pause to think. Make big plans. Scrap them. Make more. Resdiscover perspective. I remembered that it is my intention to write two Reviews of the the AIC Modern Wing: one praising, one dishing. I think that I can convincingly do both. Though the dish might be more fun. But for now, the THUNDERBIRDS take first place. They skim the Lakefront from Gary to Waukegan.
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And Zaha's embarassing little pavilion, that was to honor the City and Daniel Burnham, (that "ill-fitting brassiere", that " sow's ear", that "illusion of beauty") has already disappeared into Daniel Burnham's much larger scheme of things. Of blue and unbroken green, and summer. And the literally dozens of buildings, just beyond Michigan Avenue's Wall, filled with craftsmanship, tradition, detail, and a quiet poise that honors themselves, us, and the architects who created them.


Wednesday, August 12, 2009

ZAHA HADID'S MILLENIUM PARK PAVILION. In honor of Daniel Burnham. 02

I received a comment/question inquiring if yesterday's post regarding the Eyewash Station adjacent to Zaha Hadid's Pavilion in Millenium Park was some kind of joke. No, to all, it is not. Please find enlarged image below.
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There is humor in neither yesterday's post nor today's clarification.

Tuesday, August 11, 2009

ZAHA HADID'S MILLENIUM PARK PAVILION. In Honor of Daniel Burnham

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BELOW: THE EYE WASH STATION BELOW: FABRIC CONNECTION DETAIL (TYPE 1)
BELOW: FABRIC CONNECTION DETAIL (TYPE 2)


BELOW: ENTRANCE RAMP DETAIL (OR EXIT, DEPENDING)



BELOW: EXIT RAMP DETAIL (OR ENTRANCE, DEPENDING)



BELOW: ELECTRICAL CHASE DETAIL



I couldn't help but notice ZAHA's glistening vinyl catching the late afternoon sun -- bringing to mind Burnham's white terra cotta at the Insurance Exchange. (See previous post).