I can't shake it.
I keep hearing the echoes of last week's CAF tour guide pointing at the the Art Institute of Chicago, and mumbling something about how bose- zarts has nothing original. Nothing creative.
Below are ornamental patterns from the Conway Building (1913), People's Gas (1910) and the Commonnwealth Edison Building (1905), all designed by D.H. Burnham and Company. The range of pattern is remarkable. Especially when considered that they are used consistently on the intermediate shaft of all three buildings.
I have to wonder if these complex patterns were most important in the designer's mind -- or if the play of light across their complex geometries and its effect on each building as a whole was the raison d'etre.
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PEOPLES GAS (below)
THE CONWAY BUILDING (ABOVE)
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Daniel Burnham's raison in 1905 was the Plan of Manila. Daniel was about to make it......big time. For the second time. And Peirce Anderson was earning his position as partner in charge of design. Anderson's design influence on the firm becomes unmistakable during this period. Commonwealth Edison clearly bears his signature.
FOR MORE PHOTOGRAPHS OF CHICAGO'S ICONIC ARCHITECTURE VISIT IMAGES IN THE LOOP.
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Daniel Burnham's raison in 1905 was the Plan of Manila. Daniel was about to make it......big time. For the second time. And Peirce Anderson was earning his position as partner in charge of design. Anderson's design influence on the firm becomes unmistakable during this period. Commonwealth Edison clearly bears his signature.
FOR MORE PHOTOGRAPHS OF CHICAGO'S ICONIC ARCHITECTURE VISIT IMAGES IN THE LOOP.
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